Tuesday, April 19, 2011

I will be performing for Luigi Ontani's AmenHammerAmeno at the Hammer Museum


Wednesday, April 20
5:00 p.m. - 6:30 p.m.
Hammer Museum
10899 Wilshire Blvd
Los Angeles, CA 90024

 

Luigi Ontani

Italian artist Luigi Ontani has been producing tableaux vivants, literally ‘living pictures’, since the late 1960’s. They are drawn from a combination of Western and Eastern iconographical traditions, with references to mythical and historical figures from past to present. Ontani’s idiosyncratic, satirical, and colorful scenes distinguish themselves from the more restrained work of his contemporaries in Italy and are significant precursors for younger generations of performance artists in Europe and the United States. AmenHammerAmeno, his new site-specific piece for the Hammer will take the form of a procession, with the performers clad in Balinese masks, lead by Ontani himself and accompanied by musicians.

In conjunction with the exhibition When in Rome organized by the Depart Foundation at the Italian Cultural Institute in Los Angeles

Luigi Ontani (b. 1943) is one of the most influential and remarkable Italian artists working today. Ontani’s idiosyncratic work represents a radical counter-position to that adopted by Arte Povera in the years he came to prominence. His photographs, drawings, installations, performances and tableaux vivants relate to an extremely rich western and eastern iconographical tradition. He is often the subject of his own work, wearing the clothing of mythical figures from history, religion or literature, drawing from very diverse sources, both near and distant in time.

He has exhibited his works in some of the most important museums and galleries around the world, from the Solomon R. Guggenheim Museum to the Centre Pompidou, the Museo Reina Sofía to the Frankfurter Kunstverein. He has also participated in several editions of the Venice, Sydney, Lyon and Manifesta biennials. In the past few years, he was the subject of solo shows at MoMA PS1, S.M.A.K. in Ghent and MAMbo in Bologna. He recently presented a parade/tableau vivant at the Serpentine Gallery in London.

Public programs are made possible by Bronya and Andrew Galef, Good Works Foundation and Laura Donnelley, and an anonymous donor.
http://hammer.ucla.edu/programs/detail/program_id/805

Friday, April 15, 2011

Friday, April 8, 2011

I have a video piece up at 18th Street Arts Center

http://18thstreet.org/subject/gallery

18th Street is a community which values art making as an essential component of a vibrant, just and healthy society.  "Terrarium" a performance documentation will be showcased there.

Project Room Hours: Wednesday-Friday 12:00 pm-5:00 pm
18th Street Arts Center is located at 1639 18th Street, Santa Monica, off of Olympic Boulevard.

BACKGROUND

The 18th Street Arts Center came into existence in 1988 as a complex of artist live-work spaces and the headquarters of High Performance magazine. Artist Susanna Bixby Dakin, writer Linda Frye Burnham and artist Steven Durland had
been working together for years, documenting the alternative art world through the magazine and Astro Artz publications. In the late ’80s, they decided artists needed more: affordable studio space. Dakin found an acre of land in Santa Monica’s Pico neighborhood, recently zoned specifically for manufacturing and the arts, and asked Burnham to help her develop it as affordable arts studios. The hodge-podge complex of five buildings, they discovered, had once incubated Judy Chicago’s groundbreaking feminist “Dinner Party” installation.
Burnham and Dakin conceived of the 18th Street Arts Complex as an intergenerational, intercultural, multidisciplinary beehive, as diverse as possible. Within a year it had become a creative cluster of studios, galleries, offices
and public spaces, housing some 30 tenants — artists ages 20-60 from many different ethnic and national backgrounds, working in the visual, performance and media arts. Some 30 tenants. alone and together, were making and exhibiting paintings and sculpture, operating arts-service organizations, creating film documentaries, presenting performances, publishing magazines and celebrating annually with a neighborhood festival. In residence in those early years
were The Empowerment Project, Highways Performance Space (founded by Burnham and artist Tim Miller), Emilie Conrad’s Continuum Movement, Kit Galloway and Sherrie Rabinowitz’s Electronic Café International, Community Arts Resources
(CARS), Joan Hotchkis’ Tearsheets Productions, Marcus Kuiland-Nazario, Keith Antar Mason, Dan Kwong, Jill Burnham, Francisco Letelier and Michael Barnard. Soon to join them were Guillermo Gómez-Peña and Coco Fusco, Phranc, Denise
Uehara and Side Street Projects.